Explore the latest developments concerning ‘A House of.
This Year’s Most Terrifying Best Picture Contender Is Part Rashomon, Part Zero Dark Thirty
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Kathryn Bigelow’s nuclear-showdown thriller A House of Dynamite is a hyperrealistic political procedural, shot with a documentary-style hand-held camera that embeds the increasingly tense viewer in the situation rooms and military outposts and presidential helicopters where the action unfolds. Yet the world in which this explicitly present-day story takes place can sometimes feel oddly retro, as though Bigelow were transporting us back to an age when imagining doomsday scenarios at least came with the comforting assumption that the government officials whose job it is to prevent the worst from happening were all, at some basic level, competent and sane enough to agree on what the worst would be.
Review: The unthinkable comes to life in Kathryn Bigelow's tensely calibrated 'A House of Dynamite'
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As if we didn’t have enough to worry about these days, “A House of Dynamite,” the crackling new thriller from director Kathryn Bigelow, wants to add one more fear to keep us up at night — the specter of atomic annihilation.
You may be old enough to remember when nuclear anxiety was No. 1 on the hit parade of humanity’s greatest concerns. Bigelow’s new movie, her first in eight years, wants to remind us that the warheads haven’t gone anywhere. In fact, with the world becoming more chaotic and unstable, the threat they pose, the film argues, is graver than ever.
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