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Weekend Box Office: Michael Thrills with Biggest Opening Ever for Musical Biopic
Back in 2022, the King of Rock ‘n’ Roll had one of the most successful music biopics ever. This year, the King of Pop is poised to have the most successful one ever, at least on the domestic side. Both certainly had their issues (as films and as men), but now, audiences are dancing in the aisles and critics have been receiving their own criticism for not having the same opinion as fans. Let’s take a look at all the numbers and see what all the fuss is about.
The biggest openers ever for musician biopics have included Straight Outta Compton ($60.2 million), Bohemian Rhapsody ($51.0 million) and Elvis ($31.2 million). Antoine Fuqua’s Michael just blew them out of the water with $97 million; the eighth-highest April opening ever and Lionsgate’s sixth best. (Four of their top five are the Jennifer Lawrence Hunger Games films and the fifth is the final Twilight.) But not only is that a better number than the combined starts of the recent Springsteen: Deliver Me From Nowhere, Whitney Houston: I Wanna Dance With Somebody, and Back to Black, Michael nearly doubled those three films together entirely ($52.5 million). Granted, another area where this film has a higher number than all those films combined is the budget.
'Michael' Movie Director Talks Reshoots And Controversies: Q&A
Antoine Fuqua notched the best opening of his career at the box office this weekend as his Michael Jackson biopic Michael, from Lionsgate and Universal, debuted to $97 million in the U.S. and $217.4M worldwide. The sweat truly paid off for the director, who cut his teeth doing music videos for Toni Braxton, Stevie Wonder, Prince as well as Coolio’s “Gangsta’s Paradise.”
Quite often, the movies that last for ages — i.e., The Godfather, Chinatown, Titanic — are those that have the most daunting behind-the-scenes moments. Fuqua was thrown a curveball after finishing production on Michael: the movie’s finale originally featured Jackson accuser Jordan Chandler, whose settlement with the singer’s estate guaranteed they would never be dramatized. The estate said mea culpa and took on the extra cost of $50M in reshoots, taking the pic’s net production cost to $200M. Fuqua had to pass on other jobs as additional shooting on Michael lasted 20 days.
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The Action-Film Director Who’s Taking On Michael Jackson
At an early screening of âMichael,â the new bio-pic based on the life of Michael Jackson, there was silence for a moment after the credits rolled, and then someone exclaimed, âThat was fucking awesome!â It was a good omen, although in fairness this was not an unbiased audience. A couple of dozen people had gathered at a sound stage on the Universal Studios lot, in California, for some last-minute trouble-shooting, and so everyone in the room was invested in the filmâs success.
âMichaelâ was designed to be an international crowd-pleaserâthe kind of film that executives hope will drag audiences away from their small screens and deposit them in front of big ones, where they can watch and sing along and even dance, if theatres permit it. There was no dancing on this night, unless you counted the projected receipts waltzing through the minds of the people involved. The movieâs lead producer is Graham King, an Englishman who also produced âBohemian Rhapsody,â about the rock band Queen, which made more than nine hundred million dollars at the box office upon its release, in 2018. King has been working ever since then to bring a Michael Jackson film to theatres, and now only technicalities remained. He suggested that the crowd noise be increased during one of the concert scenes. (The movie has lots of concert scenes.) âThose of us that have been lucky enough to be at a Michael concert, it was fucking chaos,â he said. âYou want to feel that.â
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