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Revisiting 'Awarapan': A Flashback to Emraan Hashmi’s Chartbusting Cult Flick
You had to be earnest and young. Only then would the brooding musicality of mid-2000s Emraan Hashmi feel aspirational — intoxicating almost. For many of us millennials waking up to ourselves in that decade, a specific genre of badboy-sadboi Bollywood captured the senses. These films were indistinguishable from each other, and contained permutations and combinations of the following: Hashmi, Mohit Suri, Vishesh Films, unofficial Korean-movie remake, Pritam or Mithoon soundtrack, Pakistani songwriting and influence, broken Indians in Hong Kong or Bangkok or Seoul, sometimes Kangana Ranaut and Shiney Ahuja. The Bhatts had mastered the aesthetic of making heartbreak great again. Some of us even strived to be lonely so that we could ‘enjoy’ the music harder. If we hallucinated (or drank) enough, our surroundings would be tinged with blue and overcast hues; grief could be summoned at will. I’ve lost count of the number of late nights one of these lilting ballads echoed from desktop-computer speakers across smoky rooms with empty rum bottles. The vibe was irresistible: a moody ancestor to the man-child and toxic-masculinity heroes strewn across the mainstream landscape today.
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