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‘Life, Larry, and the Pursuit of Unhappiness’ gives Larry David a bigger canvas, but he’s still Larry
HBOâs âCurb Your Enthusiasmâ established Larry David as the passive-aggressive king of the petty grievance and awkward social slight. The show was fun largely because David was playing a version of himself, stumbling through an alternative showbiz universe with his friends and colleagues. With occasional detours, it was also confined to Los Angeles, giving Larry a sprawling but carefully defined playground on which to throw his tantrums and bully the other kids.
Davidâs new HBO offering, âLife, Larry, and the Pursuit of Unhappiness,â provides a much wider canvas: the entirety of American history. David plays numerous characters in an onslaught of sketches, from James Buchanan, the 15th U.S. president, too busy hitting on women to engage in talks to prevent the Civil War; to more anonymous chaps, like Murray, the motormouth who so annoys Rosa Parks (Jurnee Smollett) on a bus ride that she elects to go sit in the back, of her own volition. And yet, in the end, Larry is always playing Larry.
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