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Disclosure Day First Reviews: Another Steven Spielberg Sci-Fi Classic
Steven Spielberg tackles aliens again in Disclosure Day, which opens in theaters this weekend. The first reviews are now online and very positive, with some saying it’s the director’s best movie in years. Emily Blunt also gives one of the best performances of her career as a meteorologist drawn into a government conspiracy to hide evidence of decades’ worth of extraterrestrial sightings and contact. The majority of reviews recommend it as a thrilling yet hopeful blockbuster from the filmmaker who defined the summer movie season a half-century ago.
Steven Spielberg has done it again… Everything about this film is perfect.— Tessa Smith, Mama’s Geeky
‘Disclosure Day’ Review: Emily Blunt, Josh O’Connor and Colin Firth Lead Steven Spielberg’s Spellbinding Return to What He Does Best
Also featuring Colman Domingo and Eve Hewson, the David Koepp-scripted sci-fi asks, “What if we discover we’re not alone in the universe as our own world teeters toward destruction?”
It’s been a long time since Steven Spielberg directed a film as quintessentially Spielbergian as Disclosure Day, which contemplates how humankind might react to proof that extraterrestrial life exists. Some might make the case that 2005’s brawny alien apocalypse action thriller War of the Worlds fits the bill. But for those of us who grew up on the director’s classics, foundational Spielberg usually means Jaws for terror, Raiders of the Lost Ark for retro-styled adventure and Close Encounters of the Third Kind and E.T. for the sheer sense of wonder evoked by a universe that radically expands our world.
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‘Disclosure Day’: Spielberg’s Alien Movie for a Post-Truth Era
Steven Spielberg is sometimes unfairly tagged as the ultimate Boomer, repeatedly harkening back to the entertainment that spellbound him in his youth. And there was a time, far earlier in his career, when that label stuck better—when Indiana Jones, friendly aliens, mean dinosaurs, and Peter Pan himself dominated the director’s filmography. But throughout the 21st century, Spielberg has been quite loudly devoted to commenting on the times he’s living through, whether by plumbing the past (with the pointed messaging of The Post and Bridge of Spies) or the future (the frightening surveillance state of Minority Report or the frictionless dystopia of Ready Player One). Now, with Disclosure Day, his newest movie, he’s charging right at the current moment.
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