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What ‘The AI Doc’ Filmmakers Want Everyone to Know About AI: ‘There Probably Isn’t an Off Switch’
When the filmmakers behind “The AI Doc: Or How I Became an Apocaloptimist,” set out to investigate the dawn of the age of artificial intelligence, they couldn’t predict what the next two-and-a-half years would have in store.
The Focus Features documentary, in theaters now, explores the intersection of AI development and its impact on humanity from a personal perspective. When co-directors Daniel Roher (an Academy Award winner for 2022’s “Navalny”) and Charlie Tyrell (“Broken Orchestra”) learned they would both become fathers in early 2024, they anchored the film around one question: What kind of world will our children inherit?
To answer that query, producer Ted Tremper developed more than 100 contacts, including sources inside the major AI labs, and conducted pre-interviews lasting up to 20 hours. Meanwhile, Roher and Tryell interviewed more than 40 AI experts on camera, generating 3,300 pages of transcripts. Their planned year of production stretched into nearly three.
The Latest AI Documentary Asks: Just How Scared Should We Be?
It’s not easy to get an interview with Sam Altman—just ask Adam Bhala Lough, the filmmaker behind the recent documentary Deepfaking Sam Altman.
Lough originally planned a feature exploring the potential and perils of AI that would center on a conversation with the OpenAI CEO. But, after having his inquiries ignored for months, he opted instead to commission a chatbot that mimicked Altman’s speech patterns and approximated his facial expressions by way of a digital avatar.
The real Altman did sit down, however, for the new feature The AI Doc: Or How I Became an Apocaloptimist, which hits theaters March 27. So did Dario Amodei, the CEO of Anthropic, and Demis Hassabis, a cofounder and CEO of Google’s DeepMind Technologies. (Though the filmmakers say they requested interviews with Meta’s Mark Zuckerberg and X’s Elon Musk, neither made an appearance.)
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‘The AI Doc’ Takes On Humanity’s Great Challenge, Mall Witches Romp In ‘Forbidden Fruits’, Films By Sylvain Chomet, Julia Ducournau In Eclectic Indie Weekend — Specialty Preview
An accessibly human exploration of artificial intelligence, a high-end coven at the mall and the latest from French directors Julia Ducournau (Alpha) and Sylvain Chomet (A Magnificent Life) are among indie offerings this weekend in an eclectic market peppered with the serious, the funny, the dark and the literary. Matthew Shear and Oscar Boyson make their respective directorial debuts with Fantasy Life and Our Hero, Balthazar.
Focus Features’ The AI Doc: Or How I Became an Apocaloptimist, Oscar-winning director Daniel Roher and Charlie Tyrell’s exploration of one of humanity’s most significant and riskiest advances, materializes at 782 theaters after lively debuts at Sundance and SXSW with critics and audiences joining the intense global conversation around artificial intelligence.
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