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The Glory Days: ‘Deliver Me From Nowhere’ Proves Why ’80s Music Still Rocks
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Bruce Springsteen was synonymous with America in the 1970s. Donning a Dylan-inspired newsboy cap, black leather and a head full of curls, he defined the era’s musical landscape with albums like Born to Run (1975) and Darkness on the Edge of Town (1978). But by the early 1980s, the world was changing (politically, culturally, musically) and so was The Boss.
A little thing called the Internet was on the way, synths were everywhere, hair was big, and radio stations were playing anthems that promised escape from the decade’s growing restlessness. Yet in 1982, on the cusp of global stardom, Springsteen stripped it all back. Instead of producing another huge rock record that his label wanted, he locked himself in a New Jersey bedroom, pressed record on a four-track cassette deck, and came out with Nebraska, an acoustic, vulnerable reflection of working-class America.
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“I was like, ‘What are all these guitars?’ And he's like, ‘Oh, it's nothing.’ And then he’s playing Bruce Springsteen-level guitar”: Jeremy Allen White was secretly practicing guitar on another set while preparing for his role as Bruce Springsteen
White stars as the Boss in the new biopic, Springsteen: Deliver Me From Nowhere, which chronicles the making of 1982's Nebraska
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2025 has quickly become the year of the music biopic, with Jeremy Allen White set to continue the trend by taking up the mantle of Bruce Springsteen in Springsteen: Deliver Me From Nowhere – a new movie that documents the making of Springsteen’s beloved 1982 album Nebraska.
Now, in a new interview, his co-star from the hit comedy-drama The Bear, Ayo Edebiri, has raved about White's in-depth preparation for the high-pressure biopic role.






















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