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Behind the ‘Supergirl’ Bomb: Competing Cuts, Creative Differences (Exclusive)
For months, DC Studios knew the film wasn't working. Things came to a head in March when the studio tested its own cut against one from filmmaker Craig Gillespie.
Usually, test scores go up, up, and away. But this March, the scores for Supergirl actually went down when DC Studios held a bakeoff, testing competing cuts from filmmaker Craig Gillespie and from the studio, run by James Gunn and Peter Safran.
It was a moment of extreme disappointment for those involved, as the stakes were high, particularly for DC. Supergirl would be a key test for the Warner Bros. division as its first feature not written and directed by Gunn, following last year’s inaugural outing, Superman.
Supergirl is a box office catastrophe. How can Marvel and DC save the superhero movie?
Cinematic universes rely on audiences investing in minor characters – but as that interest wanes, it may be up to the big guns to keep the genre afloat
It’s sometimes hard to believe that modern Superman movies existed for nearly four decades before the Man of Steel met Batman on the big screen. Since 2008, when Iron Man first clanged into life, we’ve become used to superhero cinema as one giant, interlocking machine: capes, gods, aliens and magic rocks all rattling around the same cosmic pinball table. There have been dozens of these comic book films, often built around characters once little known to the average cinemagoer: Rocket Raccoon, Ant-Man, Blue Beetle.
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Review: Supergirl is not the disaster its low box office suggests
It’s a pretty good movie, but it needed to be a great movie to thrive in an oversaturated superhero market.
Pour one out for Supergirl, the latest installment in the DCU’s Gods and Monsters chapter, which has been beset by online troll attacks, mixed reviews, and a very disappointing opening weekend box office—not the outcome Warner Bros. was hoping for with this follow-up to last year’s Superman. It’s actually a pretty good movie, as such films go, but it’s not a great movie. And in today’s over-saturated superhero market, that’s just not sufficient to get people out of their homes and into theaters, rather than waiting for the film to come to streaming platforms.
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