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Sanctuary’s Insurgent Histories: To Deliberately Impede and Intentionally Obstruct
This piece appeared in the Spring 2026 issue of NACLA’s quarterly print magazine, the NACLA Report. Subscribe in print today!
Act three of Elvira, a play written by Raúl Dorantes and directed by Mark Litwicki, opens with a male reporter standing on a bare platform save for a microphone stand and two wooden posts. The reporter faces the audience and announces that it’s August 2006, and Elvira Arellano has just entered sanctuary in a church in Humboldt Park, a historically Puerto Rican neighborhood in Chicago. He walks offstage to sit among the crowd as Elvira enters the frame carrying a bulging duffel bag, accompanied by her pastor.
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