Sam Smith and Hozier’s duet just altered our brain chemistry and we’re still not okay | Sam S…


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Sam Smith’s Castro Theatre residency continues with surprise guests and duets

Sam Smith brought the house down at the Castro Theatre with a shocking surprise guest. On February 18, Hozier walked out to duet on his 2013 hit “Take Me to Church,” marking the first ever live performance of the song together. The moment became the standout highlight of Smith’s electrifying 20-night San Francisco residency.

The Castro Theatre reopened February 6 as San Francisco’s most anticipated cultural event in years. Sam Smith could not have chosen a more meaningful setting. The iconic venue is located in the heart of San Francisco’s Castro District, a historically queer neighborhood. Smith described the opening night as “by far the most special show” of their entire career. The platinum-selling artist wore a custom Vivienne Westwood design personally created by designer Andreas Kronthaler.

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Take Me to Church–reborn as Sam Smith and Hozier create magic in San Francisco

There are concerts, and then there are religious experiences! On night six of their 20-show San Francisco residency at the iconic Castro Theatre, Sam Smith decided to blur that line completely. The crowd was already buzzing, but when Smith introduced their first special guest of the residency, the atmosphere shifted from electric to holy. Enter Hozier — tall, brooding and greeted by a roar loud enough to shake the theatre’s vintage walls.

After a warm embrace and a wave to the screaming audience, he launched into the unmistakable opening of his 2013 breakout anthem, Take Me to Church. 

Smith stayed onstage, swaying beside Hozier, slipping into verses and harmonies as if the song belonged to both of them all along. Their voices — one smoky and aching, the other deep and soulful, wrapped around each other in a way that made the performance feel intimate, almost conspiratorial. When they reached the final chorus, they turned toward each other, microphones raised face-to-face, harmonizing like two choirs colliding. The result? A sensual, moodier, entirely reimagined Take Me to Church that like a shared confession.

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