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The Great Flood review – Korean apocalypse movie swerves into sinister sci-fi territory
The storytelling is brittle, but there is still enjoyment to be had from this story of a mother and child and rescue from a catastrophic flood in Seoul
Kim Byung-woo’s chimeric but not unenjoyable sixth feature begins like a normal apocalypse movie, with a deluge inundating Seoul. Then it flirts with taking on social stratification baggage as a beleaguered mother tries to climb up her 30-storey apartment block to escape the rising flood waters. But once it is revealed that An-na (Kim Da-mi) is a second-ranking science officer for an indispensable research project, the film becomes a different beast entirely – possibly something quite insidious.
Netflix Adds 3 Interesting Original Movies Today Including Wild Disaster Film
There are three new original movies that Netflix subscribers can now add to their streaming watchlist. Each movie offers a different genre that subscribers may find interesting.
As of today, the sci-fi disaster movie The Great Flood starring Park Hae-soo and Luis Gerardo Méndez’s Spanish-language crime comedy A Time For Bravery are finally streaming on Netflix. In addition, subscribers can now also watch the Netflix original documentary film Breakdown: 1975 on the streaming platform.
The Great Flood is a South Korean sci-fi survival movie directed by Kim Byung-soo, who also co-wrote the script with Han Ji-su. The movie is led by Kim Da-mi (The Witch: Part 1. The Subversion) and Emmy Award nominee Park Hae-soo (Squid Game). Joining them are Jeon Yu-na (Pachinko), Jeon Hye-jin (The Throne), Park Byung-eun (Moving), Lee Hak-joo (My Name), and more.
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Seoul goes underwater in Netflix's latest Korean original
Netflix bets on an apocalyptic spectacle from director behind 'The Terror Live' and the ill-fated 'Omniscient Reader'
Netflix has been steadily muscling its way into the Korean film business, using its deep pockets to bankroll productions that skip theaters altogether. As multiplexes continue to hemorrhage audiences — ticket sales for domestic films remain at roughly 60 percent of last year's figures — the streaming giant is only doubling down.
Its slate of Korean-language originals this year has spanned supernatural thrillers ("Revelations") to frothy high-school romance ("Love Untangled"), and that eclectic spread now culminates in "The Great Flood": a full-throttle apocalyptic spectacle packed with megatsunamis, crumbling high-rises, and the sort of spectacle-driven disaster imagery that would have filled multiplexes in another era.
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